The Gestapo arrested him on suspicion of his function inside the bombing. Krafft was capable of confirm to his interrogators that he could correctly forecast gatherings by using astrology. The Gestapo unveiled the astrologer As well as in 1940 the Nazi Occasion asked for that Krafft implement his know-how for their lead to. Goebbels hired him to translate the prophecies of Nostradamus to be used as propaganda towards the Allied forces. Krafft wrote from the downfall of Fantastic Britain that was to be circulated to the Belgians and also the French.
XII Cátedra del Prado: La recuperación del patrimonio saqueado. 1815, el desmantelamiento del Louvre y el renacimiento de los museos en Europa
Lo cierto es que cree que cualquier trabajo relacionado con el mundo del arte requiere de una gran voluntad propia, ya que no existe ninguna figura que te lo imponga.
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His work on canvas, paper or other media is conceived as abstract and dramatic expressions of up to date art.
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In so accomplishing he opened the door for further warmth transfer Evaluation. Just after instructing and dealing in Switzerland and Germany amongst 1917 and 1925, he was appointed towards the chair of theoretical mechanics in Munich.
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Aún así, asegura que siempre que puede evita el bloqueo. «Hay que seguir trabajando, y si no te sientes lo suficientemente concentrado, debes mantener las disciplinas y moverte en el ambiente laboral». Kraft cree que uno de los mayores errores que puede cometer un artista es desanimarse y dejarlo, ya que cuando quiera retomarlo, no se atreverá ni a coger el pincel.
In reality, this prophecy was so impressive that Krafft was in the beginning interrogated with the Gestapo, who considered he might need experienced a hand in the plot.
Además de una ingente cantidad de trabajos pictóricos, este artista ha concebido numerosas instalaciones y construcciones escultóricas que posteriormente han sido ejecutadas en distintas partes del mundo.
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«Dos trazos de pintura que se crucen no es una mera cruz, es el simbolismo que representa» recalcó. Los colores, los trazos y las tonalidades oscuras aportan valor al conjunto de obras, y tal y como destaca el autor: «El trabajo elaborado en esta exposición, no se basa en un guión determinado, sino que más bien es un juego». Pero sin duda, Kraft señala que la parte gráfica es algo que persiste en todas sus obras.